Nos 68-69 Camaro Front Lower Control Arm Shaft Bushing 392826 on 2040-parts.com
Tampa, Florida, United States
NOS 68-69 CAMARO FRONT LOWER CONTROL ARM SHAFT BUSHING 392826
|
Other Parts for Sale
- 1931 1932 1933 1934 1935 1936 1937 1938 1939 pontiac used dash emblem badge(US $47.99)
- Nos 1981 monte carlo gm factory original owners manual never used(US $7.99)
- Military m35a2 multifuel fuel pump(US $100.00)
- Vw / audi new sparton brand hi horn 176 951 213 sm2(US $15.00)
- 1968, 1969 ford thunderbird new old stock turn signal relay - c8sz 13a366 f(US $75.00)
- 21 circuit ez wiring harness chevy mopar ford hotrods universal x-long wires!!(US $150.00)
The Toyota FT-1 sure does look like the Bertone Mantide
Thu, 16 Jan 2014We really liked the Toyota FT-1, which caught us off guard in the best possible way when it emerged at the Detroit auto show. In fact, we liked Toyota's “spiritual pace car” enough to call it the most fun new thing on the floor -- and we're hoping the automaker's execs take notice. Reader Dennis Liu certainly noticed the car, which seemed rather familiar to him: He feels that, coincidentally or not, it looks a lot like the Bertone Mantide.
Maserati Ghibli (2013) first official pictures
Tue, 09 Apr 2013This is Maserati's new sports saloon: the Ghibli. The first ever Maserati to get diesel engine power, the Ghibli will go on sale in autumn 2013, and sit below the Quattroporte super-limo in the Maserati range. Maserati Ghibli: the spec All Ghiblis will be powered by Ferrari-fettled versions of Chrysler’s ‘Pentastar’ twin-turbocharged V6 engines, mounted up front and mated to eight-speed paddle-shift gearboxes.
Car collector and artist makes you look twice
Mon, 20 Aug 2012As with most artists, Louis Carvell simply sees the world differently than others, and his passion for cars and car collecting led him to create a thought-provoking (and clever) body of work he entitled: “Reincarnations: Car Parts ReBorn.” The photographic collages are of spare vintage-automobile parts inspired by, “the dream cars of the Eisenhower era,” Carvell said. “These pieces are art in and of itself. Initially, I photographed them [alone] against white, seamless.” Eventually, Carvell decided to expand and refine his concept and place the parts into surrealist tableaux, to give one pause to consider these objects outside their defined roles.