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New Chrome Pair Of Vintage Style Dummy Spot Lights # on 2040-parts.com

Location:

Glendora, California, United States

Glendora, California, United States
Condition:New

NEW PAIR OF VINTAGE STYLE DUMMY SPOT LIGHTS ! DUMMY SPOTS ARE A NEW COPY OF MANY TYPE`S USED ON AUTOMOBILES AND TRUCKS OF THE EARLY 1930`S ~ 1940`S ~ 1950`S ~ 1960`S ! COMES WITH 2 SETS OF MOUNTING BRACKETS FOR WINDOW POST OR HOOD MOUNTING ! ALSO 4 3/4 INCH ROUND CLEAR LENS AND THE DIAMETER IS 5 1/2 INCH,S DEEP AND COMES READY TO INSTALLED ! NICE LOOKING DRESS UP ITEM !

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Nissan Juke gets revised 1.5 dCi diesel engine

Tue, 11 Jun 2013

The best selling Nissan Juke n-tec gets a revised 1.5 diesel engine. The Nissan Juke – the funky little urban SUV – has been around for three years, and its combination of rugged looks that make it look like an armoured insect, high riding stance and decent economy have made it a popular buy as a compact urban warrior. More than 19,000 Jukes have been sold in the UK since it launched in 2010, and around a third of those have been powered by Nissan’s 1.5 litre diesel engine.

Ikuo Maeda to replace Laurens van den Acker as General Manager of Design at Mazda

Wed, 01 Apr 2009

Ikuo Maeda has been appointed General Manager of Mazda Motor Corporation's Design Division. He replaces Laurens van den Acker, who has decided to leave Mazda to pursue other interests. Following on from the successful tenure of van den Acker, Maeda will lead the Japanese automaker's global design team and be responsible for the overall design and styling of Mazda's global products.

CAR interviews Mazda design chief Ikuo Maeda (2010)

Thu, 02 Sep 2010

By Tim Pollard Motor Industry 02 September 2010 13:30 CAR has been out to Italy to see the world premier of the new Mazda Shinari concept car. It's the car that ushers in chief designer Ikuo Maeda's new Kodo design mantra, a sharper, faster stylistic treatment that will take over from Laurens van den Acker's Nagare vision. Maeda is the first Japanese design boss for a generation – it seems that Mazda has looked within after a series of European creative brains who each stayed for five years or less, arguably not long enough to see through any substantial aesthetic change.